![]() ![]() She replays a highlight reel of old memories, as she does with “deja vu.” But instead of being in Malibu, she sits in a room’s corner, alone, as a projector displays the melancholy words “you said forever” all over the walls. In the incredibly famous heartbreak ballad “driver’s license,” Rodrigo’s character admits she hasn’t quite moved on from an ex. She reluctantly cheers on an ex’s shiny new post-breakup life, only to end by setting the ex’s house on fire as revenge for a too-quick recovery. In her “good 4 u” music video, we see Rodrigo depict an unrestrained rage as a vengeful cheerleader. For Rodrigo, exploring emotions that may be deemed shameful is essential to her body of work. The power of the music video is acknowledging the ways that this repressed urge gets twisted until it tears away at our own self-image. Rodrigo has discussed how “deja vu” is meant to outline the somewhat taboo feelings of obsession we feel towards the person an ex moves on with. Unsurprisingly, it is a subconscious that has been overtaken by Ryder. ![]() Considering the dark room the screens reside in, it almost feels like entering Rodrigo’s character’s subconscious. Others show Ryder’s character replicating the previously cherished moments, sparkling day trips, and romantic ice cream dates. We see Rodrigo’s character next in a room full of screens, which display memories of her relationship with her ex before Ryder’s character came into the picture. As she admires herself, she still sees Ryder’s character in the mirror, standing next to her - unavoidable. Later, she then buys the exact same dress and goes home to try it on in front of her mirror. Rodrigo peers through the window to watch Ryder’s character try on a new dress. When Rodrigo’s character arrives at her destination, it’s Ryder’s house. ![]() Rodrigo’s drive overlooking the rocky Malibu beaches is interrupted by what feels like a ghost, as she catches a glimpse of a flickering image of Ryder’s character in the backseat through her rear-view mirror. This coastal paradise is actually the backdrop for a rather eerie story: the protagonist’s (Olivia Rodrigo) stalker-like obsession with her ex’s seemingly perfect new girl (Talia Ryder).Įarly in the video, we see the obsession unfold. It’s the perfect set-up for the music video’s twist. There’s a glossy sheen to the other things we see soon after: the older-edition car driving down the highway, the classy scarf tied around Rodrigo’s head Old Hollywood-style, the ornate pink script that announces the music video’s title. I was super young when it came out and I remember I wasn’t allowed to say stupid old pick up truck cos I thought stupid was a bad word.The music video for Olivia Rodrigo’s “deja vu,” directed by Allie Avital, starts out with a thoroughly scenic landscape: azure blue waves gently lapping up against the Malibu coastline. ‘Picture To Burn’ was my first favourite song. Of the former, she explained: “I’m the biggest Swiftie ever and I never stop talking about it. She chose three songs by Taylor Swift for the collection, including ‘Picture To Burn’, ‘Out Of The Woods’ and ‘Betty’. ![]() She described the collection as tracks that had “shaped me into the woman and songwriter I am today”. Meanwhile, in February, Rodrigo turned 18 and, to mark the milestone birthday, she shared a playlist of her 18 favourite songs. “You’re pulling a Taylor,” one fan wrote in the comments. Her Instagram feed has since been restored but the videos, which included vintage clips shown on old-fashioned televisions, remain.įans responded to the mysterious posts by likening Rodrigo to one of her heroes. A post shared by Olivia Rodrigo news of the song comes after the pop star deleted all of her photos from her Instagram page last week, replacing them with cryptic videos instead. ![]()
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